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    [author] => Luis Naón /  /
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    [description] => La composición a cargo de Luis Naón que se escucha en el Espacio de Experimentación Sonora recurre a tres elementos que se intercalan e interpretan mutuamente: la voz de Juan Gelman leyendo sus poemas, el violonchelista Eric Picard interpretando Gelmanianas y los comentarios y paréntesis, estos últimos son a veces sonidos puros, fabricados ya sea con materiales exteriores y raramente reconocibles o bien tratamientos y declinaciones de la voz e instrumento.
The composition playing by Luis Naón at the Espacio de Experimentación Sonora makes use of three interwoven elements that mutually interpret each other: the voice of Juan Gelman, reading his poems; the cellist Eric Picard, performing Gelmanianas; and commentaries and parentheses, which are sometimes pure sounds, fabricated either with external, hardly recognizable materials or through treatments and declensions of the voice and instrument.
    [short_description] => La composición a cargo de Luis Naón que se escucha en el Espacio de Experimentación Sonora recurre a tres elementos que se intercalan e interpretan mutuamente: la voz de Juan Gelman leyendo sus poemas, el violonchelista Eric Picard interpretando Gelmanianas y los comentarios y paréntesis, estos últimos son a veces sonidos puros, fabricados ya sea con materiales exteriores y raramente reconocibles o bien tratamientos y declinaciones de la voz e instrumento.
The composition playing by Luis Naón at the Espacio de Experimentación Sonora makes use of three interwoven elements that mutually interpret each other: the voice of Juan Gelman, reading his poems; the cellist Eric Picard, performing Gelmanianas; and commentaries and parentheses, which are sometimes pure sounds, fabricated either with external, hardly recognizable materials or through treatments and declensions of the voice and instrument.
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Luis Naón

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