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    [name] => Voices of Mexico, núm. 106, winter 2018
    [meta_title] => Voices of Mexico, núm. 106, winter 2018 8626000002151 libro
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    [author] => Martínez Zalce Sánchez, Graciela (directora)
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    [description] => On the night of October 1, the esplanade in front of University City's Central Administration Building was dressed in mourning, and the iconic structure revealed its grandeur with a moving, impressive light show: a peace dove, stabbed, ínjured, and bleeding was pictured together with the Olympic Carnes logo and the forceful phrase, "Never Again."
October 2, 2018 was an autumn morning on which, as only infrequently is the case nowadays, Mexico City was still the most transparent region. At a solemn session of the Chamber of Deputies, the gold-letter inscription on the Wall of Honor of the Legislative Palace was unveiled, with the National University of Mexico (UNAM) and National Polytech-nic Institute (IPN) communities as witnesses. It reads, "To the 1968 Student Movement." The ceremony, an act of commemoration and vindication, takes place in a uníversity and polytechnic atmosphere: you could hear the traditional cries of "Goya!"(UNAM) and "Huelum!" (IPN). But, from 1 to 43, other students are remembered as the crowd shouts out the numbers of the missing Ayotzinapa students, thus joining the past to the present.
Joining the past to the present. The first to speak, 68 Committee representative Félix Hernández Gamundi says that some demands continue to be current. In a single voice, like a chorus, the young people shout, "For a Mexico of equals in democracy. October 2 shall not be forgotten." In his address, Dr. Enrique Graue Wiechers says that their voices continue to be heard in Mexican society, which the movement provided with greater awareness, and that its cry of rebellion against state authoritarianism is reflected today in society's freedom of expression and transformation.
In Ilatelolco," a poem Hernández Gamundi mentions in his speech, Jaime Sabines begins mournfully: "No one knows the exact number of dead, / not even their murderers, / not even the criminal, / they were women and children, / students, / youngsters of 15, / a girl on her way to the movies, / an infant in its mother's belly, / all wiped out, unerringly riddled with bullets / by the machine gun of Order and Social Justíce." The poem, biting and painful, criticizes the silence of the media, the distortion of the truth to consolidate the idea of a progressive country developing in an acceptable way, a hypocritical socíety willing to forget in order to have a false, but effective peace. "The women, in pink, / the men, in sky blue, / the Mexicans parade in the glorious unity/ that constitutes the homeland of our dreams."
In the diversity of its essays and creative texts, this issue of Voices of Mexico asks both about that machine gun and that dream homeland the students demanded. Their content is precisely that linkage of the past to the present, in which, by reflecting on the former, the latter is explained. The voices of members of the university community, headed by the rector, who kindly gave us an interview; the voices of social actors; the voices and hands of artists who, in this issue, give us original material for the magazine in the form of an illustrated chronology. With this volume, the voice of the CISAN, through Voices, contributes to the impetus of a full year of commemorations organized by the university a half century alter the events, in the hope that they never happen again.
Graciela Martínez-Zalce Sánchez
Director of CISAN December 2018
    [short_description] => On the night of October 1, the esplanade in front of University City's Central Administration Building was dressed in mourning, and the iconic structure revealed its grandeur with a moving, impressive light show: a peace dove, stabbed, ínjured, and bleeding was pictured together with the Olympic Carnes logo and the forceful phrase, "Never Again."
October 2, 2018 was an autumn morning on which, as only infrequently is the case nowadays, Mexico City was still the most transparent region. At a solemn session of the Chamber of Deputies, the gold-letter inscription on the Wall of Honor of the Legislative Palace was unveiled, with the National University of Mexico (UNAM) and National Polytech-nic Institute (IPN) communities as witnesses. It reads, "To the 1968 Student Movement." The ceremony, an act of commemoration and vindication, takes place in a uníversity and polytechnic atmosphere: you could hear the traditional cries of "Goya!"(UNAM) and "Huelum!" (IPN). But, from 1 to 43, other students are remembered as the crowd shouts out the numbers of the missing Ayotzinapa students, thus joining the past to the present.
Joining the past to the present. The first to speak, 68 Committee representative Félix Hernández Gamundi says that some demands continue to be current. In a single voice, like a chorus, the young people shout, "For a Mexico of equals in democracy. October 2 shall not be forgotten." In his address, Dr. Enrique Graue Wiechers says that their voices continue to be heard in Mexican society, which the movement provided with greater awareness, and that its cry of rebellion against state authoritarianism is reflected today in society's freedom of expression and transformation.
In Ilatelolco," a poem Hernández Gamundi mentions in his speech, Jaime Sabines begins mournfully: "No one knows the exact number of dead, / not even their murderers, / not even the criminal, / they were women and children, / students, / youngsters of 15, / a girl on her way to the movies, / an infant in its mother's belly, / all wiped out, unerringly riddled with bullets / by the machine gun of Order and Social Justíce." The poem, biting and painful, criticizes the silence of the media, the distortion of the truth to consolidate the idea of a progressive country developing in an acceptable way, a hypocritical socíety willing to forget in order to have a false, but effective peace. "The women, in pink, / the men, in sky blue, / the Mexicans parade in the glorious unity/ that constitutes the homeland of our dreams."
In the diversity of its essays and creative texts, this issue of Voices of Mexico asks both about that machine gun and that dream homeland the students demanded. Their content is precisely that linkage of the past to the present, in which, by reflecting on the former, the latter is explained. The voices of members of the university community, headed by the rector, who kindly gave us an interview; the voices of social actors; the voices and hands of artists who, in this issue, give us original material for the magazine in the form of an illustrated chronology. With this volume, the voice of the CISAN, through Voices, contributes to the impetus of a full year of commemorations organized by the university a half century alter the events, in the hope that they never happen again.
Graciela Martínez-Zalce Sánchez
Director of CISAN December 2018
    [meta_keyword] => Voices of Mexico, núm. 106, winter 2018, Área Temática, Centro de Investigaciones sobre América del Norte
    [author_bio] => 
Martínez Zalce Sánchez, Graciela (directora)
Licenciada en Lengua y Literatura Hispánicas por la UNAM (FES Acatlán); maestra y doctora en Letras Modernas por la Universidad Iberoamericana. Cuenta con el nivel D del PRIDE. Miembro del SNI (nivel II) y de la Academia Mexicana de las Ciencias. Especialista en el área de estudios culturales canadienses, adscrita a las líneas de investigación de Migración y Fronteras, e Identidades y procesos culturales. Ha sido investigadora visitante en El Colegio de México, en la Universidad McGill, Canadá, y en la UAM Cuajimalpa.
Profesora del Colegio de Letras Hispánicas de la Facultad de Filosofía y Letras, donde imparte los Seminarios de Investigaciones Literarias I y II (Teoría de la adaptación; Cine y literatura), así como en el Posgrado en Ciencias Políticas y Sociales, con el Seminario sobre Cine, Migración y Fronteras en América del Norte.
    [toc] => 5 Our Voice
Graciela Martínez-Zalce Sánchez
Context
7 The University, 50 Years after The 1968 Student Movement Interview with UNAM
Rector Dr. Enrique Graue
Leonardo Curzio
10 From the Youth Revolt
To the Restoration of the Outmoded (Or, as Robert Graves said, "Goodbye to all that") 
Mario Ojeda Reuah
15 The Canadian Scene
Graciela Martínez-Zalce Sánchez
20 U.S. Universities,
Racial and Student Conflicts
Juan Carlos Barrón
24 The Hymn to Life that Was 1968 
Carlos Martínez Assad
28 Mexico in the 1960s 
Ricardo Pozas Horcasitas
32 Sounds of a Generation 
Julia E. Palacios Franco
Personal Accounts
37 Lessons for Today 
René A. Jiménez Ornelas
40 An Information Brigade Activist Remembers '68 
Joel Ortega Juárez
Legacy
47 The Tail of the '68 Comet 
Jorge Javier Romero Vadillo
51 "Commemorating Should Be More About Questions than Answers" 
Mónica Maristain
Movement
55 The 1968 Student Movement And Gender Equality 
Guillermo Boils
59 Youth Counterculture in 1968 
Álvaro Vázquez Mantecón
Art and Culture
65 1968 Around the World 
Armando Fonseca
70 Comic Strip Chronology 
Santiago Moyao
79 The Influence of '68
On Political Cartoonists Alma Soto Zárraga
89 Mexican Illustration, 1968-2018
A Conversation with
Fabricio Vanden Broeck
And Éricka Martínez
Abril Castillo
95 Indigenous Women Embroider Their Rights in the Shadow of '68 
William H. Beezley
98 Pioneering Artist
A Conversation with Mónica Mayer Valeria Guzmán
104 In Memory of Tlatelolco by Rosario Castellanos
106 Memory, 2018 by Mercedes Alvarado
108 Changing the World
The Stories of Four Members of the "Avándaro Nation"
Mariana Velasco and Gustavo Marcovich
114 The Mexico 68/18 100 Poster Collection 
Santiago Robles
119 The Student Movement, Now and Then Reviews
121 Not Even All the Bullets Can Beat Us The Literature on '68
Diego Bugeda Bernal
126 A Documentary Shines a New Light 
Liliana Cordero Marines
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